We lived with the homeowners, Jen and Cory Heinzen and the caretaker, John Huntington, and lived as they do in the most haunted house in the world.”įor Whelpton, the Wildey Theatre was a natural location for the premiere. “Brian, Richel, Vera and I spent two weeks there and documented everything and had cameras on us 24 hours a day. “It’s the house that started it all,” Whelpton said. It gave paranormal investigators Ed and Lorraine Warren their start in the paranormal field. The documentary is inspired by the real-life house that inspired “The Conjuring” films. “Through COVID, we were looking for our next documentary and we got a call to go to the real-life Conjuring home by our friends (paranormal investigators) Brian Murray and Richel Stratton and a documentary was born.” 1 on iTunes and was the top documentary across multiple platforms,” Whelpton said. The first one was called “The House in Between,” which was released last year and quickly became No. Kendall Whelpton is known for his work on “The House in Between,” “Ghost Hunters,” “Wicked Tuna” and “Battlefish.”Īs a filmmaker, director, director of photography, photographer, and business owner, Whelpton has his signature work on a vast range of networks including Netflix, Nat Geo, SYFY, Lifetime, A&E, Discovery, Travel, Destination America, CMT, and Animal Planet. With special access, a small group of filmmakers and paranormal investigators was allowed to move into the famously haunted home for two weeks in hopes of capturing evidence. The house that inspired “The Conjuring” has recently been sold and is now open to paranormal investigations. They’re going to have some equipment here to see if there is any paranormal activity at the Wildey.”
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With some of the cast members from the documentary here plus a couple of cast members from ‘Ghost Hunters’ and the new owners of the house (paranormal investigators Cory and Jennifer Heinzen), it sounds very cool. “He has some impressive credits and it’s great that he chose the Wildey Theatre for an event like this. “But the more I talked to him and found out about him and this project, I realized this was a big deal.
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“Kendall Whelpton called me out of the blue to ask if he would be able to rent out the theatre to premiere his documentary and I get calls all the time from people who say they made a movie on their cell phone,” Wildey manager Al Canal said, laughing. Cast members Brian Murray and Richel Stratton from Edwardsville, who are from “Ghost Hunters” on A & E, will attend the premiere as will directors/subjects Kendall and Vera Whelpton. “The Sleepless Unrest” will open in theaters and on-demand on July 16 from Gravitas Ventures. The event is sold out, but people can arrive 15 minutes before the movie to see if there are any no-shows. This, combined with its predictable nature, ultimately makes the production not worth one’s time.The premiere is open to the public and is free. However, very little of interest happens, as the solid visuals are misappropriated on stylistic landscape shots, not highlighting the potential shadows creepily dancing across the walls. The cinematography is mostly strong, and the investigators are enthusiastic and engaging. Is The Sleepless Unrest irredeemably bad? Not even close.
Mentions of such things are made, but only in passing. Explain past hauntings, go into how the current owners acquired the house and why they’d even want it. The fact that the Whelptons do not delve much into the history of the house at the outset, mainly only citing it from its well-known connection to the blockbuster horror franchise, is a missed opportunity. Why the research? Because the plot is so cliched, hitting trope after trope, it felt like poorly written fiction. The amount of research done to figure out if this was even a documentary (note: the movie’s site calls it such) and not a found footage narrative is almost laughable. Plus, they also really show off the infamous home, taking audiences on a guided tour so that every nook and cranny is known once the hauntings happen… if they ever do.īut The Sleepless Unrest fails to engage on most levels. This helps with the stakes, as if something were to go pear-shaped, help is not nearby. Secondly, the filmmakers are also able to achieve several drone shots that showcase just how isolated they are while staying at this house.
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